The entire team's work on the trilogy was incredible. But we did it, and I believe Mass Effect 2 has one of the best endings of any game ever, I'm really proud to be a part of it." Everything came down to the wire to get the game out on time. "BioWare was really trying to do something new and I know it was a challenge for them as well. "Working on Mass Effect 2 was challenging," Wall told us. While he worked on the trilogy as a whole, he took the leadership role with the Mass Effect 2 soundtrack.
You can learn more about his time with the iconic BioWare franchise, as well as his other work on IPs like Call of Duty, with our full interview right here. We recently sat down with composer Jack Wall, who worked on the original trilogy, ahead of the vinyl's official reveal. “Feros” gets an honourable mention, but once again, requires you to be “in the game” to experience it at it’s full potential.MASS EFFECT TRILOGY: VINYL COLLECTION 4LP BOX SET – Presale begins March 4th 1pm EST at - Massive collection features 85 tracks from the critically acclaimed game trilogy, painstakingly curated by the BioWare sound team and specially mastered for vinyl.
“Uncharted Worlds” was at first slightly ‘annoying’ but it grew on me over time. Vigil being my favourite (and Mass Effect menu music), with a good old “Love Theme” rendition coming in second. Only a select few from the album made it here. However, with every batch of not-so-great game music, or there are some stand out tracks from Mass Effect that provided that “Zelda-music like” connection to the game. This rendered the official soundtrack regrettably “forgettable”. A lot of the tracks were required to be coupled alongside game play in order to make their effect more prominent. The tracks all seemed to lack the “ability” to be listened to outside of the game. The music in Mass Effect was unfortunately not as ‘significant’ as I would have liked it to be. For such a great game, the ambient background music by itself doesn’t quite deliver quite the same effect as the game itself.
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